Many years after a life-changing one-on-one conversation between Rich Aronovitch and Marc in Queens, New York, Rich and Marc are sitting down once again. This time they’re talking about Rich’s new comedy special, his family’s immigrant journey that landed them in New Orleans, Rich’s first experience on the stage under the name Smooth Daddy Johnson, and why Rich went to jail for letting the air out of a police officer’s tires.
Jordan Klepper and his Daily Show colleagues find themselves in the position of calling fascism out for what it is while also still finding comedy in an increasingly unstable world. But one way Jordan deals with the firehose of information is by going out into the field, like he did for his most recent special report, MAGA: The Next Generation. Jordan and Marc talk about his findings, but they get into his upbringing in Kalamazoo, his transition from math major to improv comic, and the understanding of show business he learned from family cousin Tim Allen.
Megan Stalter sees her comedic persona as a representation of both supreme confidence and a nervous breakdown simultaneously. It’s a demeanor that served her well, whether on the improv stages in Chicago or on her breakout Instagram videos or as the scene-stealing Kayla on Hacks or in her own Netflix series Too Much. Megan and Marc talk about how her comedy chops took shape, her upbringing in the Pentecostal Church, and her identity as both queer and Christian.
Cristin Milioti’s portrayal of the ruthless Sofia Falcone in The Penguin might seem like a departure for her. But Cristin tells Marc her goal has always been to avoid being pigeonholed. Also, the tone of The Penguin is so theatrical and operatic that Cristin fit right in as someone who, in her words, was saved by theater kids in high school. They also talk about her run on Broadway in Once, the fear she had while making The Wolf of Wall Street, and the heartbreak of having an entire two-season series, Made for Love, deleted from existence.
Perhaps a reason there’s always tension between Mike Birbiglia and Marc is they have a lot in common. That’s also probably the reason that, despite this tension, Mike has made multiple trips to the garage. This time, Mike and Marc talk about the job of making people laugh about things that make them sad or angry, the benefits and risks of centering your comedy around your personal life, and how they’ve both made peace with their doctor dads, with Mike dealing with it in his new Netflix special, The Good Life.
Seth Meyers doesn’t get out to LA very often, but when he does he’s able to visit longtime friends, go on other late night shows, and head over to the garage to talk with Marc. This time they get into how Late Night is helping Seth process what’s going on in the world even has he helps viewer do the same. They also talk about SNL 50, including Seth’s interaction with Keith Richards and why Eddie Murphy and Will Ferrell are the greatest. Then they spend the rest of the time fanboying about Nathan Fielder and Tim Robinson.
Josh Homme manifested an 18-year-old dream to perform a Queens of the Stone Age concert in the Catacombs of Paris. Josh tells Marc why it was such a meaningful undertaking two years after he survived a bout with cancer. They also talk about his collaborations and friendship with Iggy Pop, the 2015 terrorist attack during an Eagles of Death Metal concert, and the difference between giving up and giving in.
John Mulaney has been through a lot since the last time he was on the show, so it’s nice he can identify the present as, in his words, a happy time that he can appreciate. John offers Marc his reflections on the first run of his Netflix talk show Everybody’s Live, reflections on his sobriety five years after everything fell apart, and reflections on the history of WTF, a show he was listening to right from the beginning.
Scott Frank is one of Hollywood’s most prolific screenwriters but he still has perpetual anxiety about his job security. Scott and Marc talk about the impulse that keeps him grinding away, whether he’s working on original screenplays, rewrites, or his limited series like Godless, The Queen’s Gambit and his new Netflix show Department Q. They also talk about Scott’s mentors, his influences, and the construction of his most well known screenplays, like Get Shorty, Out of Sight, Minority Report, and Logan.
Nick Kroll was one of the first dozen guests on WTF and in the nearly sixteen years of his life since then, loved ones have been lost, babies have been welcomed to the world, and Nick can now see things about himself that he couldn’t identify before. Nick and Marc talk about those changes, as well as the artwork of his wife Lily Kwong, the trip to Italy he made for his new movie I Don’t Understand You, and the fulfillment of creating eight seasons of Big Mouth.
Peter Wolf didn’t want to write the typical rock and roll memoir filled with lurid tales and score settling. Instead he wanted to write a collection of short stories that stem from his serendipitous encounters with everyone from Marilyn Monroe to David Lynch. Peter tells Marc how he wrestled with his own memories to write the book, how he drew from his friendships with Bob Dylan, Muddy Waters and John Lee Hooker, and how he got right with the topics he wanted to avoid, namely his time with The J. Geils Band and his marriage to Faye Dunaway.
Sarah Silverman and Marc go back more than 30 years and although they know a lot about each other from the past, they can both acknowledge that they haven’t stopped growing and learning and changing right up to the present. Sarah and Marc talk about making peace with the signs of aging, including hearing loss, and how an embrace of closure helped her deal with the loss of her father and stepmother, which is the center of her new Netflix special, PostMortem.
Carol Leifer has been a standup comic for almost 50 years, but the knowledge she can impart from her lifetime of experience isn’t limited to the standup stage. That’s why Carol co-wrote the new book How to Write a Funny Speech, applying the building blocks of comedy to weddings, graduations and anywhere else one might speak in public. Carol and Marc talk about how to be funny at a memorial, her experience writing for the recent Oscars, and how she’s tapped into the current zeitgeist thanks to her teenage son.
When Bridget Everett was growing up in Kansas, the question “How are you feeling?” was not often asked. That’s part of the reason why Bridget embraced singing and making music as her primary way to connect with people. She tells Marc how this led to the development of her live cabaret shows which got her noticed by Michael Patrick King, Amy Schumer, and eventually HBO. They also talk about how Bridget’s acclaimed and beloved show Somebody Somewhere taught her how to face grief and live with it.
Singer-songwriter Samantha Crain wasn’t sure if she’d ever be able to make music again after a car accident left her without the ability to play instruments or physically write songs. Samantha talks with Marc about her recovery and how her physical improvement coincided with the evolution of her artistic confidence. Samantha also explains her family’s storied history of powerlifting, the influence of Jason Molina, and why she feels it’s important to write and perform songs in the Choctaw language.
While he was once known for all manner of comedy involving animals, both alive and dead, Tom Green’s relationship with the animal kingdom is now much more traditional, as he spends some of his time doing farm work on a remote plot of unspoiled land in Canada. Tom talks with Marc about why he made the big change in his life, which is documented in the new Prime Video series Tom Green Country. They also talk about their respective pioneer work in the early days of streaming video and podcasting.
David Harbour and Marc met in the garage seven years ago at the height of Stranger Things and the beginning of a new phase in David’s career. Now with the Marvel movie Thunderbolts coming out, David and Marc have both had surprising success in their careers, which leaves them both searching for things they can’t quite pin down. They’ll try to help each other out, while also discussing meditation, mortality, and the future of art and entertainment in a world of shorter attention spans.
David Cronenberg starts making each new film of his as though he’s making a movie for the first time. Marc sees connective tissue through all of David’s work, consisting of “the meat, the machine, mutations of desire, and pain.” David and Marc explore these ideas in specific films, including Scanners, The Brood, The Fly, Naked Lunch, Crash, Cosmopolis, and Maps to the Stars, as well as David’s latest film The Shrouds, which he considers to be a discussion with his audience about grief.